This Kung Fu Techniques article is part two of a two part article.
Last month I talked about the . If you read that martial arts article closely you probably have an inkling of what I am going to say this month.
To bring you up to speed let me open with this brief recap from the Tiger Kung Fu article…
The Dragon, on the other hand, wishes to deliver a Force while not receiving any force himself.
Do you see how much smarter he is? Do you see what an advantage it is to do your fighting without getting hit?
Intelligence can come with age. Looking at politicians does tend to refiute this, but in the it tends to be a truth.
Simply, experience, especially that experience tempered on the real world of the kung fu training hall, does breed wisdom.
One learns what works.
So the Dragon, through bruises and contuses, learns to step aside while doing his punching and hitting and such.
But also, if the Martial Art the person is studying has any depth, the person learns, through the study of the correct kung fu technique, how to become wise.
As I said last month, good will teach one how to handle Force, and then move into Flow.
Which brings us to the subject of the Dragon techniques in The Perfect Art.
In Shaolin Kung Fu the Dragon must grow out of the Tiger.
For this to happen the blocks must proceed from hard to soft. The collapsation of distance must occur and the student must be willing to move in and learn not to rely on just hard blocks, but to use soft blocks.
The Inward Middle Block of Tiger Kung Fu goes out from the Tan Tien.
The same block, done in Dragon Kung Fu, involves the body moving towards the opponent while the hand moves back.
Thus, the kung fu techniques don’t rely on forcing, but develop into flowing.
Guide, instead of break.
And the Inward Middle Block has become a ‘Brush Block.’
The Brush block is done with the palms or backs of the hands, and the intent is to apply mere ounces instead of hundreds of pounds.
But if you don’t understand where it came from, and the geometric progression of the gradient techniques growin from the Inward Middle Block, chances are you won’t understand how Tiger kung fu techniques change into the techniques of the Dragon: how Hard becomes the Soft.
Left Back Stance with a right Inward Middle Block. Pull the Attacking wrist with the left hand as you execute a right Elbow Spike to the armpit. Step forward with the left leg as you spiral the Attacker’s arm up and around to a Vertical Wrist Pin.
To understand this kung fu move, lets consider it by pieces.
In the tiger, the first move, the inward block is hard. A bash. In the Dragon, one has learned how to angle the body and align it so that all the weight goes into the forearm. Thus, it becomes effortless.
The geometric vectors of the defense change from disagreeing to agreeing, or from contention to harmony.
It’s funny, the concept of harmony as a philosophy is not necessary, but is a contrivance of a man interested in religious implications.
Do you need to study Christianity to build a bridge? I think not. Physics are just not effected by today’s religions.
Will a better bridge be built by a Christian? Maybe. If discipline and principle play a part in developing a better character, and better character is necessary to adhering to the physics of the Universe.
But religion is not necessary to the building of a Martial Art.
In fact, the person who can strip himself of philosophy, as man understands it today, actually stands a better chance of understanding the truths of the Universe.
Bear in mind, please, that though what I have said may appear contentious, it really only ‘Opens the door,’ much as the Tiger opens the door for the Dragon. It is really only contentious if you refuse to go through the door.
Thus, Kung fu Techniques reveal a and of the Universe. The only way out of chaos is to march right through it.
Yes, you could run, but eventually that chaos will catch you. Some other time, some other situation, same chaos.
Chaos is not order.
The solution to chaos is to go through it, understand it, and order it.